Tag Archives: New Dance Horizons II

2013-2014 is coming to an end…

2013-2014 is coming to an end and the applause our artists were showered with during the year is now a warm memory from a successful artistic year. We are making sure all dollars and cents have been allocated properly and that the future looks even brighter.

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Oklahoma City Ballet

The 7th Annual Emerson SPRING TO DANCE® FESTIVAL once again captured the audience’s imagination and the companies appearing seemed to have sensed the love St. Louis has for the event and their performances were magnificent. We discovered new friends and marveled at their creativity and now we are currently in the process of accepting applications for next year’s event which will surely continue creating a bond between the artist and the audience member.

New Dance Horizons II dancers

New Dance Horizons II dancers

Throughout the year a variety of companies and styles were presented. New Dance Horizons and its new creations on our own local companies gave everyone an appreciation for the unexpected and saw the incredible improvement our local dance companies are showing. Shanghai Ballet was a delight, not only in that many of their administrative members were former dancers that I had the pleasure working with in 1986, but their new generation showed a command of technique and style that excited all. Ballet Memphis, an audience favorite in our past Spring to Dance Festivals, brought their “Wizard of Oz,” a charming production done in most simple terms that appealed to young and all. It was nice to see Steven McMahon’s work and it was a great prelude to the marvelous work of his that they brought to our SPRING TO DANCE® FESTIVAL. DIAVOLO captured the imagination of a large, excitable audience that got everything they asked for and Alvin Ailey, under new direction, showed some marvelous dancing and the paths they are searching for. What was disappointing throughout was that the number of attendees we expected were smaller than hoped for. Even Ailey, a sure fire thing, did not meet expectations. Let us hope it is simply a glitch in time and space.

Now we embark on 14-15. There will be new choreographers at New Dance Horizons III to amaze us (Roni Koresh, Kate Skarpetowska, Brian Enos). Dance Theatre of Harlem returns after an almost 20 year absence. Tango Buenos Aires, who some 8 years ago rocked our audience, is back. Aspen Santa Fe with its beauty and sophistication has been clamored to return by our audiences. Compagnie Käfig, a company out of France with dynamic dancers from Brazil, will enlighten us to the theatrical possibilities of Hip Hop. And we will finish our season once again with the 8th Annual Emerson SPRING TO DANCE® FESTIVAL, but with some new twists to wet everyone’s appetites.

So, with work behind, work ahead and some fascinating projects developing in my mind while I search for the funds to make them reality, I embark on a much need R&R. 52 years non-stop involvement in professional dance takes it toll and when you see yourself talking and arguing with yourself it is time to take a step back and recharge the batteries. So, Flor and I will spend time in Mexico assisting her family and looking at our second home and then we shall travel to Chile to be with my brother and family while taking care of the memories our parents left us with.

NDH2-PNC-logoFinal-blackI finally got to see all of the New Dance Horizons II works and I could not be more thrilled at what has been created and how it is being danced.

Something very special occurs when you commission four independent choreographers and have them stage works on four different dance companies that appear together in an evening of dance second to none.

Having worked in a repertory company and having experienced and seen the thrill of performing different works I never thought of what would happen if the same approach was done utilizing four different groups with their own points of view. The result is New Dance Horizons II.

Emery Headshot St  LouisEmery LeCrone’s work for St. Louis Ballet is full of choreographic intricacies and requires total concentration and a complete physical commitment to the work. The dancers are doing exactly that. Although I have only seen some 5 minutes of the work, it is a fascinating abstract piece that takes you into the dancers’ bodies.

The imagery that Nejla Yatkin has created for Leverage Dance Theatre, the harmonious intensity, fluidity and emotionality of Uri Sands’ work for Common Thread Contemporary Dance Company and the amazing theatricality and physicality that is demanded of MADCO in PILOBOLUS’ “Land’s Edge” will make dance lovers drool. What a joy to be part of this unique adventure and how proud we feel to have this take part in Missouri, where the motto The Show Me State certainly applies to New Dance Horizons.

See you at the Touhill THIS WEEKEND. Don’t complain if you miss it.

Love and peace,

Michael

PNC Arts Alive New Dance Horizons II Rehearsals Begin

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With all of the activity surrounding my recent wedding to Flor, I was unable to go see Uri Sands work with Common Thread Contemporary Dance Company during their first week, but perhaps it was a blessing in disguise. I was, however, able to get there this past Saturday and marvel and what had been accomplished in just one short week.

The beauty and greatest fascination of the new dance project is its creative mode and the danger of maybe not working…but, so far so good. The creativity shown and the commitment of the dancers will enrich the audience forever and therefore make St. Louis a better place.

CommonThread 2In a style that flows from head to toe, Uri had 6 female dancers, working with a physicality and concentration that will surely translate to brilliance on stage. Flor and her daughter Sara came with me and the three of us were sad to leave but excited about the prospect of what the next few weeks will bring.

For the PNC Arts Alive New Dance Horizons II project, choosing who will work whom is always a gamble, and so far we are succeeding. What a perfect union, Uri Sands and Common Thread.